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In formal terms, Lars von Trier’s fiercely ironic Dogville (2003) might come to mind, but the comparison only backlights The ,Hateful Eight,’s deficit of ideas. The means by which Tarantino’s stagebound drama-onion is peeled are limited almost entirely to expository dialogue – which, in the man’s late fashion, is self-reverently repetitious, over-articulate and methodical.
Instead, ,Hateful Eight, is a satisfying mix of the filmmaker's quirk within a straightforward character drama - populated with rich dialogue and notable confrontations. In addition to standard digital screenings, which run 167 minutes, The ,Hateful Eight, is also showing as an extended 187 minute presentation, in 70 mm projection, as part of a "roadshow" release.
Parents need to know that Quentin Tarantino's The ,Hateful Eight, is a Western that promises -- and delivers -- extremely strong violence and language. Characters use guns, and tons of blood splatters, sprays, and oozes everywhere. A female character is punched in the face several times, knives and poison are used (victims of the latter vomit blood), and there are many dead bodies.
Most of the ,Hateful Eight reviews, thus far have also touched on the film's pointed political commentary - something that Tarantino has talked up while promoting his feature during interviews past - and how it adds to the emotionally-volatile nature of the movie as a whole (in a good way). Indeed, the relative simplicity of ,Hateful Eight,'s setup (a bunch of strangers wind up trapped in the same ...